Rembrandt rushed by a jealous bull; one of the many problems artists experience painting outdoors. The difficulty of painting outdoors is described in various paintings in The Adventures of Rembrandt; The Pavement Artist, Rembrandt en Plein-Air, The reasons Rembrandt is not known to have attempted cattle paintings may lie in the subject’s relative lack of importance in Renaissance art. Figure painting was considered a nobler art form requiring greater skills than that of the andscape or genre painter. The painting’s landscape is of the north county Dublin countryside. The bull dragging Rembrandt along with him refers to to Carlo Maratta’s painting, The Rape of Europa that the artist restored at the National Gallery of Ireland
are available for book illustrations, annual reports, paper and packaging, giftware, related products. You can license them in the following format: Original transparencies in 6 x 6 cm. (2¼ in.) format, high-resolution RGB drum scans on DVD or efficient and quick E-Mail or FTP upload.