Rembrandt goes to extraordinary lengths to capture the graceful beauty of the trapeze artist’s movement. The Dutch Old Master, in the manner of Degas, is attempting to capture the gracious movements of the girl on the trapeze. He considers himself, above all, a realist. This was the label that Thomas Couture attached to certain of his contemporaries, Corot included. He recognized that this obsession with realism was leading to the loss of the classical tradition and the lesson of the High Renaissance. Couture expressed his opinion on the dangers of naturalism in The Realist Artist now in the National Gallery of Ireland.
are available for book illustrations, annual reports, paper and packaging, giftware, related products. You can license them in the following format: Original transparencies in 6 x 6 cm. (2¼ in.) format, high-resolution RGB drum scans on DVD or efficient and quick E-Mail or FTP upload.